2024.07.06 - 2024.08.30
Curator: Ma Hao
In Joey Xia's previous large-scale works, he has focused on exploringthe impact of "solar energy" on the historical progress of humanity through visual language. Excessive solar energy often brings destruction, such as the "deforestation and grassland restoration" experiments conducted by scientists in the forests of Siberia, using the lighter color of grass to reflect more sunlight back into the universe and slow down the melting of the permafrost.
In this creation, the artist has built a temporary tent on the rooftop of a city building using fabrics, triggering an experiment on the interaction between fabrics and solar energy, which he sees as a miniature "geoengineering" project. Joey Xia has specially designed a "Shanghai Camo" pattern for the tent's Oxford cloth, combining small wild animals, wild vegetables, and adventure equipment commonly found in Shanghai.
In "Dry Run," the artist uses printed Oxford cloth and aluminum foil mesh to highlight the different reactions of the fabrics to sunlight. For example, the aluminum foil mesh allows some light to enter the tent for illumination while reflecting the rest of the sunlight back into the universe, helping the building cool down in the summer. On the "shelter" formed by the fabrics, the artist has embedded prisms in the perforated areas, and when the sunlight enters the perforations at different times of the day, the daylight is deconstructed by
the prisms embedded in the tent, creating a resonance between the rainbow, the audience inside the tent, the air, and the materials, in an attempt to create a multi-sensory immersive experience.
Joey Xia (b.1992) received his BFA from the School of the Art Institute of Chicago in 2016, he currently lives and works in Shanghai. Joey Xia’s work engages with issues related to his peer, culture, and art history against unfathomable globalization. Xia’s practices show extensive investigations on imagery and materiality, which culminated in his signature stitched canvas painting, sculpture and installation. In his most recent works, the subject matter are informed by his exploration of geographical shifts and cultural drifts, Xia creates site-specific work that incorporates and responding both the architecture of the exhibition space and materials gathered from the region. Through stitching various materials and images from different time and space, Joey Xia examines the projection of meta narration onto constructed individual and mainstream values.